Scenes on the Wye, Op. 26 (Third Suite for Organ)

For 45 years organist of Blackpool Parish Church, Frederic Herbert Wood (1880–1963) was a composer whose contribution to the native school of romantic organ music deserves wider recognition, in particular for his colorful suites inspired by the English countryside, of Northumberland, of Kent, and of the downland. The scenes evoked bare the strong imprint of the past – from venerable bridges and cathedrals to Roman ruins, prehistoric earthworks and Stonehenge – amidst river and valley and orchard captured in different moods and times of the day. There is plenty of craft in this music too: stirring, romantic harmonies and varied textures generously registered, with a purposeful sense of form giving strength and direction to the attractive pictorial element. The range of Wood’s other interests, which included spiritualism and the speech of ancient Egypt, suggests a fascinating individual, who was also a Doctor of Music from Durham University and a noted lecturer and adjudicator.

Like all of these suites, "Scenes on the Wye" is very demanding, in technical execution as well as managing the kaleidoscopic changes of sounds and colors. It is dedicated: "To my friend William Faulkes." (1863-1933).

Based upon the opus numbers, this suite may have resulted from a combination of different pieces, perhaps written at different times. The suite was published by Stainer and Bell Ltd. in 1926.

For full enjoyment of listening, I suggest that you follow the score, which is attached. If you have any interest in British organ music of this style and period, be sure to download the music! These pieces are very rare and hard to find.

I've given the quotes that are at the head of each movement in the First Comment, as well as individual timings. In addition, I've included photos of the places depicted, as well as some famous paintings when I could find them, which are attached below. Also attached are two photos of Frederic H. Wood and one of the dedicatee, William Faulkes.