Sonata 4, Op. 65, B flat

In his brilliant article in the Diapason, Martin Schmeding calls the fourth sonata ‘The “classical” sonata’. When one as feted as he writes such a learned article, I feel that I have nothing left to say, but hope that my playing says something.

Here is a link to the article in question:
https://www.thediapason.com/content/kind-organ-school-innovation-mendelssohns-organ-sonatas-and-reinvention-traditional-form

The wonderful Auenkirche organ is a glorious vehicle for this music. This instrument reveals further treasures every time that I spend time with it & I hope some of that will be enjoyed by you, dear listener.