Vater unser im Himmelreich

THE famous coloratura setting,

This wonderful piece lends itself to SO many different approaches.

I took it in what I would say a "grand manner," relatively straight in terms of flexibility, and in a majestic use of the acoustic.

The ornamented chorale sings out on the Sexquilater of the Rugwerk, with the 8' Prestant and Flute of the Hoofdwerk providing the accompaniment.

I'd always wanted to play this piece, but never really learned it!

I played it too many times, and I can tell if this was the best performance or not!

Man, Bohm REALLY likes trills. Lots and LOTS of trills... ;-)