Psalm 123, Cor van Dijk Uploaded by: FredM Composer: Cor van Dijk Organ: Stahlhuth/Jann - Dudelange Software: Hauptwerk IV Views: 91
Psalm 122 Compilation Uploaded by: FredM Composer: Cor van Dijk and Marco den Toom Organ: Goerlitz (Görlitz), Sonnenorgel Software: Hauptwerk V Views: 75
Psalm 1 Uploaded by: Gerrit Composer: * My Own Composition Organ: Zutphen, Walburgiskerk Software: Hauptwerk IV Views: 49
Psalm 137, Cor van Dijk Uploaded by: FredM Composer: Cor van Dijk Organ: Stahlhuth/Jann - Dudelange Software: Hauptwerk IV Views: 51
Psalm 88 Uploaded by: wimbomhof Composer: * My Own Composition Organ: 1675/88 Hus/Arp Schnitger, Stade, Germany Software: Hauptwerk IV Views: 29
Millennium March Uploaded by: JohnHcomposer Composer: Ronald Keeping Organ: Salisbury Cathedral Father Willis Software: Hauptwerk VI Views: 111
Festival of Praise (1986) Uploaded by: CarsonCooman Composer: Hughes, Robert J. Organ: Salisbury Cathedral Father Willis Software: Hauptwerk IV Views: 104
The final prelude of the first set use the 4th verse of Psalm 23, as it's inspiration:
"Yea though I walk through the valley of the shadow of death, I will fear no evil for thou art with me; thy rod and thy staff they comfort me."
It is a remarkable piece...
It begins with some very timid and frightened footsteps in C minor, portrayed by 2 "gloomy" reeds - the 8' Hautboy of the Swell as accompaniment, and the 16' Cor Anglais (at 8' pitch) for the melody.
The work moves through a series of keys, gradually becoming more confident. More and more stops are added, and the piece builds to a tremendous climax on a massive C major chord. The footsteps are now like those of a giant!
The piece gradually melts away, with a slight touch of gloom towards the end, this time played on the Solo Clarinet.
The piece ends with a C major chord, ppp, with the 32' Open being "felt" more than heard.
Like any work of Howells, the registration changes are almost "constant." I didn't get this exactly the way I wanted it, but without toe studs, I settled for this.