The three guided Magi of the Orient Uploaded by: adri Composer: improvisation Organ: 1766 Riepp Heilig-Geist Organ, Ottobeuren, Germany Software: Hauptwerk VII Views: 59
Three short interludes Uploaded by: FredM Composer: Goodwin, Starling Organ: Bückeburg, Janke Organ Software: Hauptwerk V Views: 59
Musica Phrygia simplex (1967) Uploaded by: CarsonCooman Composer: Elgarøy, Jan Organ: Laurenskerk - Main Organ - 1973 Marcussen & Son Software: Hauptwerk V Views: 48
Vivat Rex (2023) Uploaded by: CarsonCooman Composer: Heyes, Bernard Organ: Laurenskerk - Main Organ - 1973 Marcussen & Son Software: Hauptwerk VII Views: 52
Marcha Real - National Anthem of Spain Uploaded by: buluca Composer: * My Own Transcription Organ: Laurenskerk - Main Organ - 1973 Marcussen & Son Software: Hauptwerk IV Views: 113
Bist du bei mir Uploaded by: Grandjeux Composer: Bach, J. S. Organ: Laurenskerk - Main Organ - 1973 Marcussen & Son Software: Hauptwerk IV Views: 555
Quasi Stellar (2016) Uploaded by: CarsonCooman Composer: Ferrari, Carlotta Organ: Laurenskerk - Main Organ - 1973 Marcussen & Son Software: Hauptwerk IV Views: 62
Thomas Åberg (b. 1952) — Three Short Fantasy Pieces (1978–79) for organ
1. Daylight
2. Wartet auf... (“Waiting for...”)
3. Pluie d’orage sur Saint-Louis (“Thunderstorm over Saint Louis”)
Three Short Fantasy Pieces (1978/79) were the composer’s earliest published organ works, beginning a career that would lead to the most significant body of organ music from a Swedish composer in the last decades of the 20th century. It was with the first piece of this set (“Daylight”) that Åberg made his debut in 1978 as a composer/organist in the Skeppsholmskyrkan, Stockholm. The titles (in three languages) reflect the inspiration of the pieces. In “Daylight,” a dramatic and dissonant opening section gradually gives way to quiet and melodic music. “Wartet auf…” (“Waiting for...”) has a title in the spirit of many avant-garde works of the 1970s. Quiet, enigmatic music is followed by a loud coda. “Pluie d’orage sur Saint-Louis” (“Thunderstorm in Saint-Louis”) was inspired by a thunderstorm the composer experienced while visiting the small French/Alsatian town of Saint-Louis.