"Noel en Dialogue, duo, trio sur le Cornet de Recit, les Tierces du Positif et la Pedalle de Flute"
This is another rather lengthy piece with no "changes" in the registration. It uses the Cornet de Recit (which is ALWAY ON in this organ) against the Cornet separe of the Positif. The accompaniment is played on the Flutes 16', 8' & 4' of the Grand Orgue, and since the GO is ALWAYS coupled to the Pedalle, there is a 16' sound in the bass.
I believe that this Noel has the "most active" pedal part in any of these pieces.
While playing this, I've tried to improvise and execute every sort of ornament and "inegale" that I could think of. However it is rather lengthy, and despite a great variety of "texture", it may seem a bit "bland" to those who like more "variety" in such pieces.