Al Post Comunio

Domenico Zipoli (17 October 1688 – 2 January 1726) was an Italian Baroque composer who worked and died in Córdoba (Argentina). He became a Jesuit in order to work in the Reductions of Paraguay where his musical expertise contributed to develop the natural musical talents of the Guaranis. He is remembered as the most accomplished musician among Jesuit missionaries.
Zipoli was born in Prato, Italy, where he received elementary musical training. However, there are no records of him having entered the cathedral choir. In 1707, and with the patronage of Cosimo III, Grand Duke of Tuscany, he was a pupil of the organist Giovani Maria Casini in Florence. In 1708 he briefly studied under Alessandro Scarlatti in Naples, then Bologna and finally in Rome under Bernardo Pasquini. Two of his oratorios date to this early period: San Antonio di Padova (1712) and Santa Caterina, Virgine e martire (1714). Around 1715 he was made the organist of the Church of the Gesù (a Jesuit parish, the mother church for The Society of Jesus), in Rome, a prestigious post. At the very beginning of the following year, he finished his best known work, a collection of keyboard pieces.
Zipoli continues to be well known today for his keyboard music. His dramatic music, including two complete oratorios and portions of a third one, is mostly gone. Three sections of the 'Mission opera' San Ignacio de Loyola – compiled by Martin Schmid in Chiquitos many years after Zipoli's death, and preserved almost complete in local sources – have been attributed to Zipoli.
Though St. Omer obviously is not the organ to play Zipoli's music on, there were enough similarities in the stop list to try it.
The Pastorale has been published before by several other people on the Concert Hall, but the post communio is new, I think.
I play from the edition by Luigi Tagliavini.