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Pastorale G dur
Uploaded by: Hoofdwerk
Composer: Kuchař, Jan Křtitel Organ: Kdousov, 1787 S. Silberbauer Software: Hauptwerk IV Views: 211
Pastorale from 3rd Sonata
Uploaded by: PLRT
Composer: Reuchsel, Amédée Organ: 1925 G.F. Steinmeyer, Berlin, Germany Software: Hauptwerk VI Views: 113
Andante Pastorale
Uploaded by: Hoofdwerk
Composer: Wiedermann, Bedřich Antonín Organ: Doesburg Martinikerk Walcker Organ Software: Hauptwerk IV Views: 278
Pastorale
Uploaded by: tf11972
Composer: Zipoli, Domenico Organ: Regensburg Dom beta Software: Hauptwerk VII Views: 112
Pastorale
Uploaded by: VoceUmana
Composer: Zipoli, Domenico Organ: St. Peter und Paul Weissenau Software: Hauptwerk V Views: 51
Pastorale
Uploaded by: flof
Composer: Zipoli, Domenico Organ: St. Michel en Thiérache Software: Hauptwerk IV Views: 277
Pastorale
Uploaded by: Ultimerrimo
Composer: Zipoli, Domenico Organ: 1908 P. B. Voelkner, Szczecinek Software: Hauptwerk IV Views: 62
Pastorale
Uploaded by: pahasoft
Composer: Zipoli, Domenico Organ: Brescia, St. Carlo Software: Hauptwerk IV Views: 946
Verset en Re majeur
Uploaded by: wolfram_syre
Composer: Lefébure-Wely, Louis James Alfred Organ: St. Omer, Cavaillé-Coll 1855 Software: Hauptwerk IV Views: 101
Magnificat Re Mineur
Uploaded by: EdoL
Composer: Dandrieu, Jean-François Organ: St. Omer, Cavaillé-Coll 1855 Software: Hauptwerk IV Views: 411
Uploaded by:
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EdoL (09/23/14)
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Composer:
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Zipoli, Domenico
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Sample Producer:
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Sonus Paradisi
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Sample Set:
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St. Omer, Cavaillé-Coll 1855
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Software: | Hauptwerk IV |
Genre: | Baroque |
Description: | Domenico Zipoli (17 October 1688 – 2 January 1726) was an Italian Baroque composer who worked and died in Córdoba (Argentina). He became a Jesuit in order to work in the Reductions of Paraguay where his musical expertise contributed to develop the natural musical talents of the Guaranis. He is remembered as the most accomplished musician among Jesuit missionaries.
Zipoli was born in Prato, Italy, where he received elementary musical training. However, there are no records of him having entered the cathedral choir. In 1707, and with the patronage of Cosimo III, Grand Duke of Tuscany, he was a pupil of the organist Giovani Maria Casini in Florence. In 1708 he briefly studied under Alessandro Scarlatti in Naples, then Bologna and finally in Rome under Bernardo Pasquini. Two of his oratorios date to this early period: San Antonio di Padova (1712) and Santa Caterina, Virgine e martire (1714). Around 1715 he was made the organist of the Church of the Gesù (a Jesuit parish, the mother church for The Society of Jesus), in Rome, a prestigious post. At the very beginning of the following year, he finished his best known work, a collection of keyboard pieces.
Zipoli continues to be well known today for his keyboard music. His dramatic music, including two complete oratorios and portions of a third one, is mostly gone. Three sections of the 'Mission opera' San Ignacio de Loyola – compiled by Martin Schmid in Chiquitos many years after Zipoli's death, and preserved almost complete in local sources – have been attributed to Zipoli.
Though St. Omer obviously is not the organ to play Zipoli's music on, there were enough similarities in the stop list to try it.
The Pastorale has been published before by several other people on the Concert Hall, but the post communio is new, I think.
I play from the edition by Luigi Tagliavini. |
Performance: | Live |
Recorded in: | Stereo |
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