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Canzona (op. 86,2)
Uploaded by: mweyand
Composer: Karg-Elert, Sigfrid Organ: 1904 Wilhelm Sauer, Dortmund, Germany Software: Hauptwerk IV Views: 483
Canzona I (1997)
Uploaded by: CarsonCooman
Composer: Soenke, Horst Organ: 1687 Arp Schnitger, Steinkirchen, Germany Software: Hauptwerk IV Views: 104
Canzona BWV 588
Uploaded by: buckow77
Composer: Bach, J. S. Organ: 1868 F. A. Mehmel, Nehringen Software: Hauptwerk IV Views: 540
Canzona IV°
Uploaded by: alberto63
Composer: Johann Kerll Organ: Mascioni, Giubiasco (2008) Software: Hauptwerk VII Views: 76
Canzona in g
Uploaded by: wolfram_syre
Composer: Kerll, Johann Kaspar Organ: Kdousov, 1787 S. Silberbauer Software: Hauptwerk IV Views: 68
Fuga in g BWV 578
Uploaded by: DrPeczeAndor
Composer: Bach, J. S. Organ: Krzeszow Organ by Michael Engler (1732-37) Software: Hauptwerk IV Views: 123
Canon in D
Uploaded by: ChristopherBrown
Composer: Pachelbel, Johann Organ: Krzeszow Organ by Michael Engler (1732-37) Software: Hauptwerk IV Views: 167
Concert C+ Bwv595
Uploaded by: Anto800
Composer: Bach, J. S. Organ: Krzeszow Organ by Michael Engler (1732-37) Software: Hauptwerk IV Views: 307
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Uploaded by:
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sanden (05/08/16)
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Composer:
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Bach, J. S.
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Sample Producer:
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Sonus Paradisi
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Sample Set:
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Krzeszow Organ by Michael Engler (1732-37)
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| Software: | Hauptwerk IV |
| Genre: | Baroque |
| Description: | Canzona in D minor BWV 588 by J. S. Bach, composed in 1715.
Among the compositions of other composers that Bach copied for personal interest, are the "Fiori Musicali" by Frescobaldi, to which the German musician dedicated himself intensively in the last years of his stay in Weimar. It is likely, therefore, to assume that the Canzona in D minor BWV 588, which is affected in obvious manner as Frescobaldi, was written at that time. The theme of Bach is very similar to that of "Canzona dopo l'Epistola" (no. 43 of the Fiori Musicali), and the color of the first section countersubject still reveals, behind him, a model of Italian madrigal ancestry. The Canzona Bach is in two sections, scanning among which is marked by a rhythmic passage that still can be explained by Frescobaldi. The treatment of the material, however, indicates that use of the technique of variation that is typical of Bach and showing how he tended to metabolize the study of the old masters, but not limited to the example or learn to imitate him, but turning it to integrate it into the world music that was just right.
- In "Attachments" the free musical score. |
| Performance: | Live |
| Recorded in: | Stereo |
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