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Toccata G-Dur
Uploaded by: Glebe
Composer: Dubois, Theodore Organ: Caen/Rieti/St.Omer Software: Hauptwerk IV Views: 196
Toccata per Organo 10 in C-Major
Uploaded by: EdoL
Composer: Baptista, Francisco Xavier (ca. 1730-1797) Organ: 1766 Riepp Heilig-Geist Organ, Ottobeuren, Germany Software: Hauptwerk IV Views: 134
Toccata prima
Uploaded by: Agnus_Dei
Composer: Muffat, Georg Organ: St. Omer, Cavaillé-Coll 1855 Software: Hauptwerk IV Views: 336
Praeludium XXIV
Uploaded by: palsorgel
Composer: Bach, J. S. Organ: Mascioni, Azzio (2016) Software: Hauptwerk IV Views: 45
Gavotte en Sol
Uploaded by: alberto63
Composer: Christoph Graupner Organ: Mascioni, Azzio (2016) Software: Hauptwerk IV Views: 37
Uploaded by:
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NeoBarock (03/12/24)
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Composer:
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* My Own Composition
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Sample Producer:
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Piotr Grabowski
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Sample Set:
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Mascioni, Azzio (2016)
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Software: | GrandOrgue |
Genre: | Baroque |
Description: | The way I produce music is simply very, very complex .....
So now, after a few weeks of work, here is my op3 No. 12 - Toccata and Fugue in D minor.
Also after a long time, I used the beautiful Mascioni organ - built in 2016 - again. I love this sample set, the pipes respond quickly and everything sounds very direct. The trombone in the pedal - simply heavenly. Unfortunately, Mascioni probably built the organ too "baroque", so that the C#2 and all notes above d4 are missing in the pedal. And the manual is also limited in pitch. Well then, I made the missing notes sound by replacing them with octaves. The tempo of the toccata was originally much faster, but I have now reduced it considerably.
While the toccata is characterised by a great restlessness, which is softened in the middle section by a short andante, the fugue is in a lively, uneven time signature, which makes it seem almost dance-like. Towards the end, before the coda, the fugue wanders through the circle of fifths, with a sequence modulating upwards a fifth at a time, and pauses briefly on B minor, which lies a minor third below the tonic.
In the aforementioned coda, we hear the augmented theme in the pedal after a pedal point on the dominant - so pretty much everything that belongs to a well-formed fugue is there again.
Long story short - no point at all - have fun with my current composition!
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Performance: | MIDI |
Recorded in: | Stereo |
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