Kindermann was organist in Nürnberg.
After a Toccata ex G, I propose you to listen to the entire recording of the « Harmonia Organica » published in 1645, except the last Magnificat that I recorded a few years ago on the nice set of Szar. While listenning, you’ll ear all stops of the keyboards used individually or combined with others. It’s easy to recognize all of them among these mostly short works perfectly suited for this organ of 13 stops. Obvious it was achieved in 1779, its sound is ideal for XVIIth century music.I play the beta version with the original temperament. Many pipes are original and sound respecting all the highly historical personality of the instrument. It's a really nice discovery to me.
0. Toccata ex G
Harmonia Organica
Präambula per omnes tonos figurales, Fantasia, Fuga, Intonationes, Magnificat
1. Präambulum 1 et 2 toni
3:08
2. Präambulum 3 et 4 toni
4:02
3. Präambulum 5 et 6 toni
5:01
4. Präambulum 7 et 8 toni
6:01
5. Präambulum 9 et 10 toni
6:54
6. Präambulum 11 et 12 toni
8:01
7. Präambulum 1 et 2 toni b-moll
8:52
8. Präambulum 3 et 4 toni
9:57
9. Präambulum 5 et 6 toni
10:54
10. Präambulum 7 et 8 toni
12:02
11. Präambulum 9 et 10 toni
12:51
12. Präambulum 11 et 12 toni
13:37
13. Präambulum 11 et 12 toni transpos. per secundam
14:31
14. Präambulum 7 et 8 toni per secundam transpos
15:31
15. Fuga super Ach wie sehnlich
16:17
16. Drifacher fuga
18:45
17. Fuga
20:43
18. Alia fuga
22:42
19. Fuga sive Fantasia
23:59
20. Fuga
25:01
21. Intonatio super Gib frid zu unser zeit
26:09
22. Intonatio Magnificat 4 toni
27:39
23. Fuga super Was mein Gott will
29:38
24. Fuga super Herr Jesu Christ waar Mensch und Gott
31:29
25. Magnificat ( In Daniel Croner Tabulatura
https://www.contrebombarde.com/concerthall/music/41135)
MP3 in 224 K