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Ciacona in f-moll
Uploaded by: Glebe
Composer: Pachelbel, Johann Organ: 1675/88 Hus/Arp Schnitger, Stade, Germany Software: Hauptwerk IV Views: 940
Ciacona in e
Uploaded by: AMLaMort
Composer: Buxtehude, Dieterich Organ: G. Silbermann Organ, Grosshartmannsdorf Software: Hauptwerk IV Views: 691
Ciacona f-moll
Uploaded by: Grandjeux
Composer: Pachelbel, Johann Organ: Velesovo Software: Hauptwerk IV Views: 933
Tuesday Improvisation
Uploaded by: TheLP111
Composer: * My Own Composition Organ: Caen - St. Etienne Cavaillé Coll Software: Hauptwerk V Views: 44
Elegy
Uploaded by: robcamfield
Composer: * My Own Composition Organ: Caen - St. Etienne Cavaillé Coll Software: Hauptwerk IV Views: 78
Toccata Psaume 72
Uploaded by: Cribo
Composer: Mulder, Jan Organ: Caen - St. Etienne Cavaillé Coll Software: Hauptwerk IV Views: 1263
Et Quid Volo
Uploaded by: Discipulus
Composer: Baruk, Jason Organ: Caen - St. Etienne Cavaillé Coll Software: Hauptwerk IV Views: 66
Uploaded by:
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giwro (01/13/15)
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Composer:
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Ducommun, Samuel
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Sample Producer:
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Sonus Paradisi
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Sample Set:
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Caen - St. Etienne Cavaillé Coll
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Software: | Hauptwerk IV |
Genre: | Modern |
Description: | Samuel Ducommun, a composer from Neuchâtel, studied organ under the tutelage of Louis Kelterborn and then Charles Faller and received a prize for virtuosity in 1938. He was a student of Charles Humbert with whom he studied harmony and continued with a study of counterpoint and composition under the tutelage of Paul Benner. Following this he became a student of Marcel Dupré. His career as an organist began in 1934 in Corcelles (Neuchâtel) and continued at the 'Stadtkirche' in Bienne from 1938 until 1942. Neuchâtel became the center of his multiple activities as early as 1942; he was college organist, singing teacher at schools, piano teacher at the cantonal college and taught classes for organ, harmony, analysis, counterpoint and composition at the conservatory.
This piece comes from the Peters volume 4 of "Contemporary Organ Music for Liturgical Use", and features unusual harmonies and relentless drive. I chose to do a MIDI rendition, simply to explore whether or not to learn the piece (and because my wrist has been hurting and is not up to some of the crazy stretches towards the end of the piece...) |
Performance: | MIDI |
Recorded in: | Stereo |
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