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Ciacona in f-Moll
Uploaded by: ESchoen
Composer: Johann Pachelbel (1653 - 1706) Organ: Utrecht - Dom, Bätz Organ Software: Hauptwerk IV Views: 455
Ciacona d-moll
Uploaded by: EdoL
Composer: Pachelbel, Johann Organ: 1687 Arp Schnitger, Steinkirchen, Germany Software: Hauptwerk IV Views: 568
Ciacona (2020)
Uploaded by: CarsonCooman
Composer: Willscher, Andreas Organ: Grote kerk, Schiedam, Flentrop (1975) Software: Hauptwerk VI Views: 50
Ciacona in F (2018)
Uploaded by: CarsonCooman
Composer: Bräuer, Felix Organ: Laurenskerk - Main Organ - 1973 Marcussen & Son Software: Hauptwerk IV Views: 51
Tierce en taille
Uploaded by: 1958tormus
Composer: * My Own Composition Organ: Caen - St. Etienne Cavaillé Coll Software: Hauptwerk VII Views: 23
Noël landais
Uploaded by: Hoofdwerk
Composer: Bonnal, Ermend Organ: Caen - St. Etienne Cavaillé Coll Software: Hauptwerk IV Views: 707
Vexilla Regis
Uploaded by: Hoofdwerk
Composer: Demessieux, Jeanne Organ: Caen - St. Etienne Cavaillé Coll Software: Hauptwerk IV Views: 391
Holy Night
Uploaded by: gooseh
Composer: arr. Kuhlstrom, Eric Organ: Caen - St. Etienne Cavaillé Coll Software: Hauptwerk IV Views: 56
Uploaded by:
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giwro (01/13/15)
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Composer:
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Ducommun, Samuel
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Sample Producer:
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Sonus Paradisi
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Sample Set:
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Caen - St. Etienne Cavaillé Coll
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Software: | Hauptwerk IV |
Genre: | Modern |
Description: | Samuel Ducommun, a composer from Neuchâtel, studied organ under the tutelage of Louis Kelterborn and then Charles Faller and received a prize for virtuosity in 1938. He was a student of Charles Humbert with whom he studied harmony and continued with a study of counterpoint and composition under the tutelage of Paul Benner. Following this he became a student of Marcel Dupré. His career as an organist began in 1934 in Corcelles (Neuchâtel) and continued at the 'Stadtkirche' in Bienne from 1938 until 1942. Neuchâtel became the center of his multiple activities as early as 1942; he was college organist, singing teacher at schools, piano teacher at the cantonal college and taught classes for organ, harmony, analysis, counterpoint and composition at the conservatory.
This piece comes from the Peters volume 4 of "Contemporary Organ Music for Liturgical Use", and features unusual harmonies and relentless drive. I chose to do a MIDI rendition, simply to explore whether or not to learn the piece (and because my wrist has been hurting and is not up to some of the crazy stretches towards the end of the piece...) |
Performance: | MIDI |
Recorded in: | Stereo |
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