Cyril Scott (1879-1970) was a remarkable
English composer. He came from a cultural family; his father was a classical scholar, his mother a fine amateur musician. Having displayed a natural penchant for music as a child, he was sent to Frankfurt am Main at age 12, remaining there for a year and a half before returning to England. Scott acquired fame mainly as a composer of some exotically flavored piano pieces, of which "Lotus Land" became a perennial favorite.
In many of his pieces, Scott showed himself a master of musical miniature. He wrote in a distinctly modern idiom, very much in the style of French Impressionism; employed sonorous parallel progressions of unresolved dissonant chords; made frequent use of the whole-tone scale. His writing for piano is ingratiating in its idiomatic mastery; his harmonious modalities exude an aura of perfumed euphony.
From his early youth, Cyril Scott was attracted to occult sciences, and was a believer in the reality of the supernatural; he published books and essays on music as a divinely inspired art, and inveighed violently against jazz as the work of Satan.
Scott left no original organ music, but there are 2 books of fine transcriptions. The first, from which this is taken, were done by Arthur Wormald Pollitt, Mus.D. (Dunelm) (1878-1933). He was a chorister at Manchester Cathedral; studied at the Royal Manchester College of Music, and Assistant organist of Manchester Cathedral.
"Berceuse" completes the first book of Scott pieces. To me, this was another "unrewarding" piece to play, and really doesn't work on the organ. I am NOT saying this to gain praise. I did it the best I could, and I'm done with this set.
I feel that the transcriber, Arthur Pollitt did a fine job in "arranging" these as organ pieces, but his registrations are problematic. Also, I question whether or not he actually ever "PLAYED" these pieces! My guess would be that he did not.
The score is attached below, as well as photos of Cyril Scott.