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Improvisation on Oriel

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HAUPTWERK GLITCH


Uploaded by: Erzahler (04/23/19)
Composer: Titcomb, Everett
Sample Producer: Milan Digital Audio
Sample Set: Salisbury Cathedral Father Willis
Software: Hauptwerk IV
Genre: Mid 20th century
Description:
Dedicated to Edith Sloane.

Tune composed by Caspar Ett.
Born: January 5, 1788, Eresing, Bavaria. Died: May 16, 1847, Munich, Germany.
Often sung to the words In the Name of our Salvation.
https://hymnary.org/tune/oriel_ett

All the organ music by Titcomb is on ISMLP

The music of Everett Titcomb (1884-1968) occupies a unique niche in the catalogue of sacred organ and choral works by 20th-century Anglican composers in the United States. His compositional voice was clearly influenced by the Bostonian giants of his youth (Eugene Thayer, Dudley Buck, George Chadwick, Horatio Parker--who's mother once had Titcomb as a border) as well as his affinity for French music; yet at the same time his work is informed by his vast knowledge and understanding of plainchant and the polyphonic style of the 15th and 16th century Italians. An Anglo-Catholic who spent fifty years nearly to the day (1910-1960) as organist and choirmaster at Boston's Church of St. John the Evangelist in Bowdoin Street, his best organ works are based on plainchant tunes making them of more value to the Roman Catholic organist of the time than to the majority of Episcopalian ones and some of his best polyphony is in the form of Latin motets which while used at St. John's and other Anglo-Catholic parishes were perfectly at home sung at a Roman Mass.
Notes by Agnus_Dei
Performance: Live
Recorded in: Stereo
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