Some of you wanted to listen to different perspectives channels. I recorded quick some pieces or extracts. It's totaly different in style of what I previously uploaded. All pieces were recorded today without rehersal in one take. Sorry if you ear some mistakes.
Fundations stops together are powerful. All soft 8 feet fundations stops sound very refined. The flûte of the solo is fabulous. The tutti is terrific with both 32 feet and quint 10 2/3. I don't completely master the balance of this organ, but what I play today confirm what I wrote in my last upload.
About channels perspectives I really prefer both perspectives together. I also tested just adjusting rear channels at 50% and front at 100%. It works fine too. It's a cathedral organ and you have to play with the acoustics inherent to the place. You can't reduce it to a nice village church.
1. Craig PENFIELD / Rêverie
Front & Rear 100 %
Front alone 100%
2:50
Rear alone 100%
5:22
2. Craig PENFIELD / Chant Modal
extracts / Rear alone /
6:55
extracts / front alone /
8:50
Both 100% /
9:51 ( powerful 8 feet fundations stops of the 3 keyboards )
3. Craig PENFIELD / Prélude on Morecambe
Both 100 % /
13:02
4. Craig PENFIELD / Grand Choeur
I had to reduce a few decibels because the tutti is very powerful /
15:33
5. JS BACH / BWV 544 (just the beginning. I'm not satisfied of my registration)
Both 100% /
17:18
Front /
18:49
Rear /
20:18
6. Louis NIEDERMEYER / Marche (soft 16,8,4 stops)
21:11
Both 100 %
mp3 / 256K
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